Centre for Literary and Intermedial Crossings

Arts & Humanities

1. Fiction 100%
2. Tennessee Williams 96%
3. Sam Shepard 94%
4. Drama 66%
5. Language 65%
6. Bruxelles 64%
7. Black British 57%
8. Howard Barker 53%
9. Art 48%
10. Novel 47%
11. Faust 44%
12. Discourse 43%
13. Belgium 43%
14. Dramaturgy 40%
15. Dance 39%
16. Aesthetics 39%
17. Diary 38%
18. Intermediality 38%
19. History 37%
20. Authorship 37%
21. Radio Plays 35%
22. Third Reich 34%
23. Performance 33%
24. Playwright 32%
25. Writer 32%
26. Mediation 31%
27. Strange Loop 30%
28. Artist 30%
29. Flanders 29%
30. Signification 28%
31. Baruch Spinoza 28%
32. Intertextuality 27%
33. Metatheater 27%
34. Spectacle 27%
35. Nawal El Saadawi 27%
36. Reception 26%
37. Hybridity 26%
38. Heuristics 26%
39. Poem 26%
40. Referential 25%
41. English People 25%
42. Performing Arts 24%
43. Subjectivity 24%
44. Poetry 24%
45. Caryl Phillips 23%
46. Music 23%
47. Poetics 23%
48. Multilingualism 23%
49. Signifying 23%
50. Embodiment 22%
51. Roman Antiquity 22%
52. New Media 22%
53. Onstage 21%
54. Holocaust 21%
55. William Shakespeare 20%
56. Neo-avant-garde 20%
57. Remediation 20%
58. Reader 20%
59. Theatre Production 20%
60. Robert Lepage 20%
61. Screenplay 20%
62. Women's Writing 19%
63. Theatrical Performance 19%
64. Historiography 19%
65. Incommensurability 19%
66. Eighteenth-century 19%
67. Homicide 19%
68. Migrants 19%
69. Dramaturgies 19%
70. Roman Tragedy 19%
71. National Socialism 19%
72. Liveness 19%
73. Spanglish 19%
74. Scenography 18%
75. Movies 18%
76. Fidelity 18%
77. Nature 18%
78. Aporia 18%
79. Liminal 18%
80. Spectator 17%
81. Theatricality 17%
82. Filmmaker 17%
83. Women Writers 17%
84. Diller Scofidio 17%
85. Life-writing 17%
86. Screen Adaptation 17%
87. Exile 17%
88. Slaves 17%
89. Acoustics 17%
90. Eugene O'Neill 17%
91. Refuge 16%
92. Rhetoric 16%
93. Plot 16%
94. Morphing 16%
95. Deception 16%
96. Interaction 16%
97. Performer 16%
98. Communication 16%
99. Antwerp 16%
100. Prose 16%