Broadcast Biographies. Innovations in Genre and Medium (1945- 2020)

Arts and Humanities

1. Radio Play 100%
2. German 98%
3. Genre 74%
4. Biography 74%
5. Radio Programs 64%
6. Germany 55%
7. Narrative 40%
8. Sister 37%
9. Web 2.0 Technologies 37%
10. Short Story 37%
11. Brothers 37%
12. Review 37%
13. Ecstasy 37%
14. Natural Phenomenon 37%
15. Manifestation 37%
16. Orality 37%
17. Hell 37%
18. Collaboration 37%
19. Communist 37%
20. Authors 25%
21. Chorus 24%
22. Popular 18%
23. Holocaust 18%
24. Communism 18%
25. Narrative Method 18%
26. Communist Regime 18%
27. Stylistics 18%
28. Collective Identity 18%
29. Stasis 18%
30. Post-memory 18%
31. East Germany 18%
32. Legacy 18%
33. biographer 13%
34. Plural subject 12%
35. Festivity 12%
36. Conceptual Framework 12%
37. Austria 12%
38. Political History 12%
39. Aesthetic Experience 12%
40. Cultural History 12%
41. 20th Century 12%
42. Profane 12%
43. Army 12%
44. Journalist 12%
45. Weave 12%
46. Cultural Memory 12%
47. Reflective 12%
48. Ukraine 12%
49. genre conventions 12%
50. Social History 12%
51. Identity Politics 9%
52. Judaism 9%
53. 1970s 9%
54. German culture 9%
55. Jews 9%
56. Othering 9%
57. British playwright 9%
58. Erasure 9%
59. American Context 9%
60. Critical Analysis 7%
61. 1950s 7%
62. Hybrid Genre 7%
63. Contextual 7%
64. Congressional Report 7%
65. World War Britain 6%
66. Memory studies 6%
67. Angela Carter 6%
68. Reception history 6%
69. Referentiality 6%
70. Media Archaeology 6%
71. Sound Studies 6%
72. Second World War 6%
73. Tom Stoppard 6%
74. Fictionality 6%
75. post-modernist 6%