Article: 'Le Poète du Hautbois', Guillaume Guidé (1859-1917)

Stefaan Verdegem

Article: 'Le Poète du Hautbois', Guillaume Guidé (1859-1917)

Stefaan Verdegem

Koninklijk Conservatorium Brussel

Research output: Chapter in Book/Report/Conference proceeding › Chapter › Specialist

Abstract

Guillaume Guidé (1859-1917), Belgian oboist and teacher at the Conservatoire Royal de Bruxelles is a very interesting figure, who nevertheless seems to have fallen through the cracks of music history, and is hardly mentioned anywhere in the standard literature. This may be because the Brussels conservatorium didn't enjoy the same illustrious reputation as the Conservatoire de Paris around the turn of the century, and because Guidé was rather overshadowed by his Parisian colleague Georges Gillet, but is probably also due to the fact that his career took a very different path when he was at the height of his powers...

Translated title of the contribution	Artikel: 'Le Poète du Hautbois', Guillaume Guidé (1859-1917)
Original language	English
Title of host publication	The Double Reed, Journal of the International Double Reed Society (USA)
Editors	Ronald Klimko, Daniel Stolper
Publisher	IDRS (USA)
Pages	121-124
Number of pages	4
Volume	31
Publication status	Published - 2008

Publication series

Name
Number	1

Bibliographical note

Ronald Klimko and Daniel Stolper

Keywords

Music
History of the Belgian Oboe School
Guillaume Guidé

Access to Document

http://www.idrs.org

Handle.net

Persistent link

1 Article
1 Performance
1 Web publication/site

Les instruments à anche double de la Maison Mahillon
Verdegem, S. & De Keyser, I., Oct 2025, Larigot : bulletin de l'association des collectionneurs d'instruments à vent, 76, p. 38-47 10 p.
Research output: Contribution to specialist/vulgarizing publication › Article › Specialist
Entry "Guidé, Guillaume"
Verdegem, S., 25 May 2016
Research output: Non-textual form › Web publication/site
Mahillon-Project: recording on Mahillon oboe d'amore of the Aria 'Ah! Pleure à ces accents émus' from the Matheuspassion of J.S. Bach in a 19th century Brussels version (in French) by F.A. Gevaert.
Verdegem, S. (Performer), 22 May 2013
Research output: Non-textual form › Performance

Cite this

@inbook{4df68627fa56406eaf174fc24a004066,

title = "Article: 'Le Po{\`e}te du Hautbois', Guillaume Guid{\'e} (1859-1917)",

abstract = "Guillaume Guid{\'e} (1859-1917), Belgian oboist and teacher at the Conservatoire Royal de Bruxelles is a very interesting figure, who nevertheless seems to have fallen through the cracks of music history, and is hardly mentioned anywhere in the standard literature. This may be because the Brussels conservatorium didn't enjoy the same illustrious reputation as the Conservatoire de Paris around the turn of the century, and because Guid{\'e} was rather overshadowed by his Parisian colleague Georges Gillet, but is probably also due to the fact that his career took a very different path when he was at the height of his powers...",

keywords = "Music, History of the Belgian Oboe School, Guillaume Guid{\'e}",

author = "Stefaan Verdegem",

note = "Ronald Klimko and Daniel Stolper",

year = "2008",

language = "English",

volume = "31",

publisher = "IDRS (USA)",

number = "1",

pages = "121--124",

editor = "Ronald Klimko and Daniel Stolper",

booktitle = "The Double Reed, Journal of the International Double Reed Society (USA)",

}

TY - CHAP

T1 - Article: 'Le Poète du Hautbois', Guillaume Guidé (1859-1917)

AU - Verdegem, Stefaan

N1 - Ronald Klimko and Daniel Stolper

PY - 2008

Y1 - 2008

N2 - Guillaume Guidé (1859-1917), Belgian oboist and teacher at the Conservatoire Royal de Bruxelles is a very interesting figure, who nevertheless seems to have fallen through the cracks of music history, and is hardly mentioned anywhere in the standard literature. This may be because the Brussels conservatorium didn't enjoy the same illustrious reputation as the Conservatoire de Paris around the turn of the century, and because Guidé was rather overshadowed by his Parisian colleague Georges Gillet, but is probably also due to the fact that his career took a very different path when he was at the height of his powers...

AB - Guillaume Guidé (1859-1917), Belgian oboist and teacher at the Conservatoire Royal de Bruxelles is a very interesting figure, who nevertheless seems to have fallen through the cracks of music history, and is hardly mentioned anywhere in the standard literature. This may be because the Brussels conservatorium didn't enjoy the same illustrious reputation as the Conservatoire de Paris around the turn of the century, and because Guidé was rather overshadowed by his Parisian colleague Georges Gillet, but is probably also due to the fact that his career took a very different path when he was at the height of his powers...

KW - Music

KW - History of the Belgian Oboe School

KW - Guillaume Guidé

M3 - Chapter

VL - 31

SP - 121

EP - 124

BT - The Double Reed, Journal of the International Double Reed Society (USA)

A2 - Klimko, Ronald

A2 - Stolper, Daniel

PB - IDRS (USA)

ER -

Article: 'Le Poète du Hautbois', Guillaume Guidé (1859-1917)

Abstract

Publication series

Bibliographical note

Keywords

Access to Document

Handle.net

Fingerprint

Research output

Les instruments à anche double de la Maison Mahillon

Entry "Guidé, Guillaume"

Mahillon-Project: recording on Mahillon oboe d'amore of the Aria 'Ah! Pleure à ces accents émus' from the Matheuspassion of J.S. Bach in a 19th century Brussels version (in French) by F.A. Gevaert.

Cite this