TY - JOUR
T1 - Conceptual representations for computational concept creation
AU - Xiao, Ping
AU - Toivonen, Hannu
AU - Gross, Oskar
AU - Cardoso, Amíilcar
AU - Correia, João
AU - Machado, Penousal
AU - Martins, Pedro
AU - Oliveira, Hugo Gonçalo
AU - Sharma, Rahul
AU - Pinto, Alexandre Miguel
AU - Díaz, Alberto
AU - Francisco, Virginia
AU - Gervás, Pablo
AU - Hervás, Raquel
AU - León, Carlos
AU - Forth, Jamie
AU - Purver, Matthew
AU - Wiggins, Geraint
AU - Miljkovi, Dragana
AU - Podpecan, Vid
AU - Pollak, Senja
AU - Kralj, Jan
AU - Znidarsic, Martin
AU - Bohanec, Marko
AU - Lavrac, Nada
AU - Urbancic, Tanja
AU - Velde, Frank van der
AU - Battersby, Stuart
PY - 2019/2
Y1 - 2019/2
N2 - Computational creativity seeks to understand computational mechanisms that can be characterized as creative. The creation of new concepts is a central challenge for any creative system. In this article, we outline different approaches to computational concept creation and then review conceptual representations relevant to concept creation, and therefore to computational creativity. The conceptual representations are organized in accordance with two important perspectives on the distinctions between them. One distinction is between symbolic, spatial and connectionist representations. The other is between descriptive and procedural representations. Additionally, conceptual representations used in particular creative domains, such as language, music, image and emotion, are reviewed separately. For every representation reviewed,we cover the inference it affords, the computational means of building it, and its application in concept creation.
AB - Computational creativity seeks to understand computational mechanisms that can be characterized as creative. The creation of new concepts is a central challenge for any creative system. In this article, we outline different approaches to computational concept creation and then review conceptual representations relevant to concept creation, and therefore to computational creativity. The conceptual representations are organized in accordance with two important perspectives on the distinctions between them. One distinction is between symbolic, spatial and connectionist representations. The other is between descriptive and procedural representations. Additionally, conceptual representations used in particular creative domains, such as language, music, image and emotion, are reviewed separately. For every representation reviewed,we cover the inference it affords, the computational means of building it, and its application in concept creation.
KW - Computational creativity
KW - Concept
KW - Concept creation
KW - Conceptual representation
KW - Procedural representation
UR - http://www.scopus.com/inward/record.url?scp=85062415612&partnerID=8YFLogxK
U2 - 10.1145/3186729
DO - 10.1145/3186729
M3 - Article
VL - 52
JO - ACM Computing Surveys
JF - ACM Computing Surveys
SN - 0360-0300
IS - 1
M1 - 9
ER -