Abstract
Fluid Construction Grammar is discussed as candidate computational representation for expressing musical knowledge, both syntactical as semantic. It is specifically intended to bridge the gap between computational efforts and musicology. It approaches the issue from a cognitive point of view and allows the expression of the relation between form and meaning. Also, it is embedded in the so-called "semiotic cycle", providing a powerful mechanism to create one and the same grammar both for parsing (analysis) and production (composition) of music.
| Original language | English |
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| Title of host publication | 5th International Workshop on Folk Music Analysis |
| Place of Publication | Paris, France |
| Publication status | Published - 2015 |
| Event | International Workshop on Folk Music Analysis - Paris, France Duration: 10 Jun 2015 → 12 Jun 2015 |
Workshop
| Workshop | International Workshop on Folk Music Analysis |
|---|---|
| Country/Territory | France |
| City | Paris |
| Period | 10/06/15 → 12/06/15 |