Abstract
The paper focuses on Josef Frank’s convinced use of historiographical arguments in his sharp critique of German modernist architecture. Frank’s attention to architectural history dates back to his education at the Technische Hochschule in Vienna, with Carl König, and the writing of a doctoral thesis on Leon Battista Alberti’s religious buildings in 1910. If a profound knowledge of Alberti’s writings informs Frank’s entire theoretical work, the point discussed here is the parallel between Neues Bauen and Gothic traced by Frank to exclude Neues Bauen from a true modernity, based, on the opposite, on a classical tradition of thought. An attempt is made to reconstruct Frank’s historiographical references and to insert his work in the broader historiographical context, thus highlighting a close link between architectural theory and critique on the one hand and contemporary historiographical constructions on the other.
Original language | English |
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Pages (from-to) | 1-22 |
Number of pages | 22 |
Journal | Journal of Art Historiography |
Issue number | 14 |
Publication status | Published - 2016 |
Keywords
- Historiography
- Viennese Architecture