'La subjectivité comme stratégie narrative'

Ronald Geerts

'La subjectivité comme stratégie narrative'

Vrije Universiteit Brussel

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Abstract

Contemporary narrative strategies often are reactivated older techniques. This is the case with the "I voice" which made film noir famous in the forties and fifties. Comparing older subjective narrative structures to newer ones made it possible to show that cinema developes itself less by destructing its own codes than by progessive shifting or sudden breaks.

Original language	English
Title of host publication	Territoires du scénario
Editors	René Monnier Et Anne Roche
Publisher	Centre Gaston Bachelard de Recherches sur l'Imaginaire et la Rationalité, Dijon
Pages	159-176
Number of pages	18
ISBN (Print)	2-906645-55-9
Publication status	Published - 2006

Publication series

Name	Figures Libres

Bibliographical note

René Monnier, Anne Roche (Textes réunis et présentés par), Dijon: Centre de recherche Gaston Bachelard, Université de Bourgogne, 2006, pp. 159-176
Series editor: René Monnier et Anne Roche (eds)

Cite this

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AB - Contemporary narrative strategies often are reactivated older techniques. This is the case with the "I voice" which made film noir famous in the forties and fifties. Comparing older subjective narrative structures to newer ones made it possible to show that cinema developes itself less by destructing its own codes than by progessive shifting or sudden breaks.

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'La subjectivité comme stratégie narrative'

Abstract

Publication series

Bibliographical note

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Cite this