Margaret van Eyck, a house called 'the Wild Sea' and Jan van Eyck's posthumous workshop

Ward Leloup, Jan Dumolyn, Mathijs Speecke, Susan Frances Jones, Toon De Meester

Research output: Contribution to journalArticlepeer-review

1 Citation (Scopus)
187 Downloads (Pure)

Abstract

Understanding of the transition in painting in Bruges between the death of Jan van Eyck in 1441 and the early career of Petrus Christus has been hampered by uncertainty about the size, location and fate of Van Eyck's workshop, which some scholars argue was continued by his widow, Margaret. Reassessment of the evidence suggests a new terminus ante quem for its closure.

Original languageEnglish
Pages (from-to)120-130
Number of pages11
JournalBurlington Magazine (The)
Volume164
Issue number1427
Publication statusPublished - Feb 2022

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