Abstract
This article focusses on a unique anti-Catholic illustrated broadsheet, De Rhoemse Kercke, from the Netherlands. Inscriptions with the initials of the makers corroborate that it was engraved by Robert Baudous (ca. 1574/75–1659) and published by Jacques de Gheyn II (1565–1629) in 1605. The engraving is accompanied by a poem long presumed lost. Commenting on the numerous pictured Catholic clergymen engaged in various abominable practices, this poem provides a unique glimpse into the thinking of its spin doctor – it is attributed to the theologian and emblematist Paulus de Kempenaer (Brussels, ca. 1554 – The Hague, 1618?). By analysing the iconography in relation to de Kempenaer's poem, this comprehensive study aims to unravel the purpose and intended audience of De Rhoemse Kercke.
| Original language | English |
|---|---|
| Number of pages | 41 |
| Journal | RIHA journal |
| Volume | 2024 |
| DOIs | |
| Publication status | Published - 22 Oct 2024 |
Bibliographical note
Publisher Copyright:© (2024), (International Association of Research Institutes in the History of Art). All rights reserved.
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