Politics, theatricality and theology. ‘Surrogation’ in contemporary Europe

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Abstract

In his monumental work The King's Two Bodies, Ernst Kantorowicz suggests that the development, in the late Middle Ages, of a secularized conception of royal sovereignty, is directly linked with 'the theatrical'. More specifically, royal succession ceremonies show clearly a subtle iconographic dramaturgy, especially in the use of the effigy. The specific combination of aspect of Roman public law with Christological elements in theology - i.e. political theology in Kantorowicz' sense - is, on its turn, linked to a 'surrogation' - a notion introduced by Joseph Roach, referring to the embodiment of the historical memory of a given community. With a secular dogmatic of public law as its backdrop - the notion of sovereignty, in the version of Jean Bodin -, early Modernity is characterized by a double fascination, concerning the image of political power : the theatre as a privileged locus for the embodiment of the 'surrogate' of political power, and the theology as a conceptual repertory of political legitimacy without real metaphysical reference.
In my paper, I wil actualize this intertwinement between legal dogmatic, theology and theatricality in 20th century politics. The case of Ronald Reagan, President of the United States between 1980 and 1988 is a good example. Formed by a protestant education stressing the importance of rhetoric, fascinated by the political imagery of President Franklin Roosevelt (the suggestive intimacy of his radio talks), Reagan embodied the optimism of a consumerist society and he became, as a politician, the 'surrogate' of a nation inspired by the ideals of manifest destiny of the North-American colonies. In the persona of Reagan, theatricality - as a general concept, referring to the conscious mise-en-scène of the fascination for the image of a community - and theology - in the decisionist sense of Carl Schmitt - were united in more than one sense. In my research, I will not confine myself to the Reagan-case, but I will make a inventory and (provisional) analysis of this surrogation in less personalized contexts such, e.g. the creation of New Labour in the United Kingdom, the development of a post-communist identity in the former German Democratic Republic and the failure of a constitutional embodiment of the European Union.
Translated title of the contributionPolitics, theatricality and theology. ‘Surrogation’ in contemporary Europe
Original languageFrench
Title of host publicationFascination des images. Images de la fascination
EditorsGilles Declercq, Stella Spriet
Place of PublicationParis
PublisherPresses Sorbonne Nouvelle
Pages315-328
Number of pages14
ISBN (Print)978-2-87854-621-7
Publication statusPublished - 2014

Bibliographical note

Gilles Declercq & Stella Spriet

Keywords

  • political theory
  • theatricality
  • political theology
  • European identity
  • subrogation

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