The evolution of human intelligence

Liane Gabora, Anne Russon

    Research output: Chapter in Book/Report/Conference proceedingChapterResearchpeer-review

    Abstract

    Many species engage in acts that could be called creative (Kaufman & Kaufman, 2004).
    However, human creativity is unique in that it has completely transformed the planet we
    live on. We build skyscrapers, play breathtaking cello sonatas, send ourselves into space,
    and even decode our own DNA. Given that the anatomy of the human brain is not so
    different from that of the great apes, what enables us to be so creative? Recent
    collaborations at the frontier of anthropology, archaeology, psychology, and cognitive
    science are culminating in speculative but increasingly sophisticated efforts to piece
    together the answer to this question. Examining the skeletons of our ancestors gives cues
    as to anatomical constraints that hindered or made possible various kinds of creative
    expression. Relics of the past have much to tell us about the thoughts, beliefs, and
    creative abilities of the people who invented and used them. How the spectacular
    creativity of humans came about is the first topic addressed in this chapter.
    Studies at the intersection of creativity and evolution are not limited to
    investigations into the biological evolution of a highly creative species. Creative ideas
    themselves might be said to evolve through culture. Human creativity is distinctive
    because of the adaptive and open-ended manner in which change accumulates. Inventions
    build on previous ones in ways that enhance their utility or aesthetic appeal, or make
    them applicable in different situations. There is no a priori limit to how a creative idea
    might unfold over time. A cartoon character can inspire the name and logo for a hockey
    team (the Mighty Ducks), which might in turn inspire toys, cereal shapes, cigarette lighter
    designs, or for that matter work its way into an academic book chapter. It is this
    proclivity to take an idea and make it our own, or 'put our own spin on it', that makes
    creative ideas appear to evolve. The next section of this chapter investigates in what
    sense creative ideas evolve through culture.
    Finally, we address the question of why creativity evolved. What forces supported
    the evolution of creativity? Does being creative help us live longer, or attract mates?
    Perhaps creative projects can sometimes interfere with survival and reproductive fitness;
    are there non-biological factors that compel us to create? This is a third topic addressed in
    this chapter.
    Original languageEnglish
    Title of host publicationThe Cambridge Handbook of Intelligence
    EditorsR. Sternberg, S. Kaufman
    PublisherCambridge University Press
    Pages328-350
    Number of pages23
    ISBN (Print)978-0-521-73911-5
    Publication statusPublished - 2011

    Publication series

    NameCambridge Handbooks in Psychology

    Bibliographical note

    R. Sternberg, S. Kaufman

    Keywords

    • intelligence
    • creativity
    • evolution
    • culture

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