TY - JOUR
T1 - Mangroves - Captured By The Keen Eye Of A 17th Century Landscape Painter
AU - Koedam, Nico
AU - Dahdouh-Guebas, Farid
AU - Barcellos, Roberto Lima
AU - Van der Stocken, Tom
PY - 2017/9/2
Y1 - 2017/9/2
N2 - Artists and scientists alike came across unfamiliar landscapes and strikingly strange fauna and flora when they embarked for the ‘colonies’. In the 17
th and 18
th centuries curiosity for the exotic developed into direct scientific observation, which is often still appreciated scientifically today, such as in biological taxonomy. Often observation, interpretation and reporting were geared towards functional aspects, a resourcist view on the environment in the wake of the colonial enterprise. This entailed that focus could be biased towards aspects of mercantile, political or strategic interest. Landscape vision is no exception for the possible biases. The Dutch painter Frans Post during his 7 year stay in the New World (Brazil) in the 17
th century was the first to depict mangroves as a very characteristic tropical vegetation, unfamiliar to Europeans, in spite of its limited interest in the context of colonial economy. He did this in the strong and developing tradition of Dutch landscape painting.
AB - Artists and scientists alike came across unfamiliar landscapes and strikingly strange fauna and flora when they embarked for the ‘colonies’. In the 17
th and 18
th centuries curiosity for the exotic developed into direct scientific observation, which is often still appreciated scientifically today, such as in biological taxonomy. Often observation, interpretation and reporting were geared towards functional aspects, a resourcist view on the environment in the wake of the colonial enterprise. This entailed that focus could be biased towards aspects of mercantile, political or strategic interest. Landscape vision is no exception for the possible biases. The Dutch painter Frans Post during his 7 year stay in the New World (Brazil) in the 17
th century was the first to depict mangroves as a very characteristic tropical vegetation, unfamiliar to Europeans, in spite of its limited interest in the context of colonial economy. He did this in the strong and developing tradition of Dutch landscape painting.
KW - Brazil
KW - colonialism
KW - Dutch East India Company
KW - Dutch West India Company
KW - Itamaracá
KW - landscape painting
KW - VOC
KW - WIC
UR - http://www.scopus.com/inward/record.url?scp=85001090500&partnerID=8YFLogxK
U2 - 10.1080/03096564.2016.1246166
DO - 10.1080/03096564.2016.1246166
M3 - Article
SN - 0309-6564
VL - 41
SP - 247
EP - 263
JO - Dutch Crossing
JF - Dutch Crossing
IS - 3
ER -