The Cross-domain re-interpretation of artistic ideas

Apara Ranjan; Liane Gabora; Brian O’Connor

The Cross-domain re-interpretation of artistic ideas

Apara Ranjan, Liane Gabora, Brian O’Connor

Centrum Leo Apostel

Onderzoeksoutput: Conference paper

9 Citaten (Scopus)

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The goal of this study was to investigate the translate-ability of creative works into other domains. We tested whether people were able to recognize which works of art were inspired by which pieces of music. Three expert painters created four paintings,each of which was the artist's interpretation of one of four different pieces of instrumental music. Participants were able to identify which paintings were inspired by which pieces of music at statistically significant above-chance levels. The findings support the hypothesis that creative ideas can exist in an at least somewhat domain-independent state of potentiality and become more well-defined as they are actualized in accordance with the constraints of a particular domain.

Originele taal-2	English
Titel	Proceedings of the 35th annual meeting of the Cognitive Science Society
Redacteuren	Markus Knauff, Michael Pauen, Natalie Sebanz, Ipke Wachsmuth
Plaats van productie	Austin TX
Uitgeverij	Cognitive Science Society
Pagina's	3251-3256
Aantal pagina's	6
ISBN van geprinte versie	978-0-9768318-9-1
Status	Published - 2013
Evenement	CogSci 2013 - 35th Annual Meeting of the Cognitive Science Society - Berlin, Germany Duur: 31 jul 2013 → 3 aug 2013

Conference

Conference	CogSci 2013 - 35th Annual Meeting of the Cognitive Science Society
Land/Regio	Germany
Stad	Berlin
Periode	31/07/13 → 3/08/13

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title = "The Cross-domain re-interpretation of artistic ideas",

abstract = "The goal of this study was to investigate the translate-ability of creative works into other domains. We tested whether people were able to recognize which works of art were inspired by which pieces of music. Three expert painters created four paintings,each of which was the artist's interpretation of one of four different pieces of instrumental music. Participants were able to identify which paintings were inspired by which pieces of music at statistically significant above-chance levels. The findings support the hypothesis that creative ideas can exist in an at least somewhat domain-independent state of potentiality and become more well-defined as they are actualized in accordance with the constraints of a particular domain.",

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author = "Apara Ranjan and Liane Gabora and Brian O{\textquoteright}Connor",

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booktitle = "Proceedings of the 35th annual meeting of the Cognitive Science Society",

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note = "CogSci 2013 - 35th Annual Meeting of the Cognitive Science Society ; Conference date: 31-07-2013 Through 03-08-2013",

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Ranjan, A, Gabora, L & O’Connor, B 2013, The Cross-domain re-interpretation of artistic ideas. in M Knauff, M Pauen, N Sebanz & I Wachsmuth (redactie), Proceedings of the 35th annual meeting of the Cognitive Science Society. Cognitive Science Society, Austin TX, blz. 3251-3256, CogSci 2013 - 35th Annual Meeting of the Cognitive Science Society, Berlin, Germany, 31/07/13. <https://mindmodeling.org/cogsci2013/>

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AU - Ranjan, Apara

AU - Gabora, Liane

AU - O’Connor, Brian

PY - 2013

Y1 - 2013

N2 - The goal of this study was to investigate the translate-ability of creative works into other domains. We tested whether people were able to recognize which works of art were inspired by which pieces of music. Three expert painters created four paintings,each of which was the artist's interpretation of one of four different pieces of instrumental music. Participants were able to identify which paintings were inspired by which pieces of music at statistically significant above-chance levels. The findings support the hypothesis that creative ideas can exist in an at least somewhat domain-independent state of potentiality and become more well-defined as they are actualized in accordance with the constraints of a particular domain.

AB - The goal of this study was to investigate the translate-ability of creative works into other domains. We tested whether people were able to recognize which works of art were inspired by which pieces of music. Three expert painters created four paintings,each of which was the artist's interpretation of one of four different pieces of instrumental music. Participants were able to identify which paintings were inspired by which pieces of music at statistically significant above-chance levels. The findings support the hypothesis that creative ideas can exist in an at least somewhat domain-independent state of potentiality and become more well-defined as they are actualized in accordance with the constraints of a particular domain.

KW - art; artifacts; common coding; creativity; domain

M3 - Conference paper

SN - 978-0-9768318-9-1

SP - 3251

EP - 3256

BT - Proceedings of the 35th annual meeting of the Cognitive Science Society

A2 - Knauff, Markus

A2 - Pauen, Michael

A2 - Sebanz, Natalie

A2 - Wachsmuth, Ipke

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CY - Austin TX

T2 - CogSci 2013 - 35th Annual Meeting of the Cognitive Science Society

Y2 - 31 July 2013 through 3 August 2013

ER -

The Cross-domain re-interpretation of artistic ideas

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